Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Haitink's new performances of the Fifth and Seventh Symphonies are self-evidently distinguished. Vital and clear-sighted, paying court to no particular...
Reviewed by Richard Osborne in issue: 10/1987
Naxos have shown good judgement here. Interest from the super-budget end of the market is ensured by the inclusion of...
Reviewed by Marc Rochester in issue: 3/1993
One difference between Tim Hugh’s two recordings of the Britten Cello Suites is evident from the jewel-cases alone: a 1988...
Reviewed by Arnold Whittall in issue: 12/1996
Richard Strauss’s mastery as a Mozart interpreter has been widely recognised – by Karajan among others – but his Beethoven...
Reviewed by Edward Greenfield in issue: 11/2000
Handel's trio sonatas have taken a long time, a surprisingly long time considering the quality of their music, to attract...
Reviewed by Stanley Sadie in issue: 12/1985
With this release, the Donner-Ode enters the select company of Telemann's vocal works to be currently available in more than...
Reviewed by Lindsay Kemp in issue: 11/1995
Collectors of Russian music on record already owe a massive debt to Olympia, here is another fascinating and generous compilation,...
Reviewed in issue 6/1988
Janacek’s fourth opera had a complicated composition history and has had almost as complicated a stage history, with the first...
Reviewed by John Warrack in issue: 1/1996
William Stephenson has already recorded the first Suisse volume of the Annees de pelerinage, and so Book 2, with its...
Reviewed by Bryce Morrison in issue: 11/1994
With their latest recording‚ Alla Francesca lead us into a dream world. Each group of songs is introduced by colourful...
Reviewed in issue 4/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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