Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Bartolomeo Cristofori’s invention of the escapement action brought a wide and continuously variable dynamic range to the stringed keyboard. Only...
Reviewed in issue 8/2002
Listening to these ten Compact Discs from DG, I have been surprised to find that I have increasingly warmed to...
Reviewed in issue 5/1990
Henry Fielding’s novel Tom Jones was published in 1749, at around the time Francois-André Philidor was living in London, making...
Reviewed by David Vickers in issue: 11/2006
Anthony Payne's musical response to English pastoral is wide-ranging, welcoming challenges and shunning easy options. This programme, with two vocal...
Reviewed by Arnold Whittall in issue: 3/2007
This is a sampler of baroque favourites, mostly theatre and church music, not translated into present-day sonorities but played with...
Reviewed by John Duarte in issue: 12/1988
This is a welcome appendix to the much (and rightly) acclaimed cycle of Prokofiev symphonies that Neeme Jarvi and the...
Reviewed by Robert Layton in issue: 1/1987
This second volume contains much of the best of Caruso. It begins with the enchanting Lolita the tone rich but...
Reviewed in issue 3/1991
This new batch of EMI Double Fortes (two discs offered for the price of one) again demonstrates the depth of...
Reviewed by Ivan March in issue: 3/2001
It was a good idea to assemble a programme of oboe sonatas by the two composers who, perhaps wrote for...
Reviewed by Nicholas Anderson in issue: 9/1989
While Erb sometimes stretches the substance of his music too thinly, there’s no denying its dynamism; heard to pungent effect...
Reviewed by kYlzrO1BaC7A in issue: 8/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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