Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In his booklet-text for this CD Kevin Volans describes how he is interested in creating a “hand-made quality” to a...
Reviewed by mharry in issue: 1/1998
Few dances, if any, have become their own essence and their own stereotype as completely as the waltz, and this...
Reviewed by kYlzrO1BaC7A in issue: 12/2003
This is a worthy visual supplement to the audio-only Ariadnes conducted by Bohm and reviewed this month (see page 154)....
Reviewed by Alan Blyth in issue: 11/1994
Fassbaender's many Lieder records for EMI-Electrola have not been made available here except occasionally as imports, so this issue from...
Reviewed by Alan Blyth in issue: 2/1986
Kálmán’s Der Zigeunerprimas (‘The Gypsy Virtuoso’) does not boast quite the same remarkable sequence of hit numbers as Die Csárdásfürstin...
Reviewed by Andrew Lamb in issue: 1/2006
It is harvest time with Bartoli now. Never has her art been richer and more abundant in its yield, and...
Reviewed in issue 11/1998
Like that of his idol Mahler, Berg’s output is small but with few minor works. This means that any new...
Reviewed by kYlzrO1BaC7A in issue: 2/2004
There is a special tone to the music of Handel’s Italian years – a freshness, a boldness of invention, a...
Reviewed by Stanley Sadie in issue: 7/1999
The sense of a memorable occasion is quite tangible here. It's audible on CD alone, without the images of the...
Reviewed by Michael Oliver in issue: 9/1994
You could say that Bartók’s only foray into the world of opera is best enjoyed in the extended theatre of...
Reviewed by Rob Cowan in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.