Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The best 'experimental' composer are those whose experiments are essentially pre-compositional—as when Trevor Wishart, before composing Anticredos, spent four years...
Reviewed by Arnold Whittall in issue: 3/1983
When devoting this CD to seventeenth-century English melancholic music, Concordia were right to foresee the need to offer some sort...
Reviewed in issue 12/1997
Last year was the centenary of Wolfgang Fortner’s birth, but if there were any events marking this, I missed them....
Reviewed by Arnold Whittall in issue: 2/2008
The Swedish composer Ture Rangstrom had an enviable gift for melody, and his winning lyricism is evident in most of...
Reviewed by Guy Rickards in issue: 4/2000
A compelling programme based principally around the figure of Georges Enescu, both as composer and as a performing phenomenon, the...
Reviewed by Rob Cowan in issue: 2/2004
By the time Vladimir Horowitz died, he had become the Grand Old Man of Golden-Age pianism. But one easily forgets...
Reviewed in issue 7/1993
Ives eventually stopped calling his orchestral set Holidays a 'symphony' because he was—and I quote—''tired of hearing the lily boys...
Reviewed by Edward Seckerson in issue: 10/1988
Few horn players produce such a luscious sound as David Pyatt, beautifully caught here in a clear, well-balanced recording. It...
Reviewed by Edward Greenfield in issue: 12/2000
There are at least two ways of assessing this performance. First as a late, gnarled statement, a little unkempt but...
Reviewed by Rob Cowan in issue: 13/2003
The Mozart Trio, known before 1983 as the Ludwig Trio, embarked two years ago on their series of Beethoven trios:...
Reviewed by hfinch in issue: 9/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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