Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In his review of the Chapelle Royale's recording of Palestrina's Missa Assumpta est Maria on Ricercar/Harmonia Mundi, DF pointed out...
Reviewed by Tess Knighton in issue: 9/1990
Schutz's ever-popular Christmas Story continues to hold audiences and to attract singers and players alike. These two new recordings from...
Reviewed by mberry in issue: 3/1991
Sir Roger Norrington’s Bruckner Seventh might not be quite the work that you, or I, know and love, but under...
Reviewed by Rob Cowan in issue: 9/2009
Since its first appearance in 1945, Andrés Segovia’s edition of 20 of Fernando Sor’s studies has both delighted and tormented...
Reviewed by William Yeoman in issue: 10/2007
Dr Patrick Moore is one of the four great communicators of British television - alongside David Attenborough, Kenneth Clark and...
Reviewed by Ivan March in issue: 13/1999
Vivaldi published his Op 9 concertos, La cetra (‘The Lyre’), in 1727. Soon after, he presented Charles VI, the Habsburg...
Reviewed by Stanley Sadie in issue: 10/2004
Feldman’s film music? Is it possible? Certainly if you investigate the Feldman archives at the Paul Sacher Foundation in Basel...
Reviewed by Peter Dickinson in issue: 3/2003
A thoroughly schizophrenic Seraglio. It’s well recorded and musically excellent‚ with Zagrosek (known to British audiences from his stint at...
Reviewed in issue 10/2001
Both Eduard Brunner and Janet Hilton (Chandos) are outstanding clarinettists of striking sensibility, but where Janet Hilton's romanticism is soft-grained...
Reviewed by Ivan March in issue: 4/1984
The UK election campaign has lately shown how a little stage-managed honesty requires more active interpretation than the usual parade...
Reviewed by Peter Quantrill in issue: 8/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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