Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
From the day that Giulini conducted the now legendary production of Don Carlo at Covent Garden in 1958, a recording...
Reviewed by Richard Fairman in issue: 12/2000
Michael Nyman was 60 on March 23. As he is one of contemporary music’s most well-known, popular and commercially successful...
Reviewed by bwitherden in issue: 7/2004
As his two previous Nimbus discs (3/95 and 7/95 – the latter including a fine performance of Liszt’s Dante Sonata)...
Reviewed by Bryce Morrison in issue: 10/1996
The last few months have brought us several new versions of Chopin's Scherzos, not forgetting one from Ivan Moravec (Dorian)...
Reviewed by Joan Chissell in issue: 3/1992
This compilation of unaccompanied choral music is a tribute to Robert Shaw, one of the world’s great choir trainers. He...
Reviewed by Edward Greenfield in issue: 1/2001
Composed in 1680, this group of seven tiny cantatas – each meditating on a part of Christ’s body (feet, knees,...
Reviewed by kYlzrO1BaC7A in issue: 6/2001
This disc not only presents the brilliant Swedish clarinettist Martin Fröst in a dazzling range of encore pieces but, with...
Reviewed by Edward Greenfield in issue: 11/2010
The British have taken Wagner’s Mastersingers to their hearts ever since Hans Richter’s premiering of the work in London and...
Reviewed by Mike Ashman in issue: 8/2008
Marenzio was the Schubert of the madrigal, as Denis Arnold once wrote, though these sober motets reveal little of the...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1999
Viewed superficially, there would seem to be very little room in Part’s exceedingly long-breathed Passio for individualised interpretation. You open...
Reviewed in issue 7/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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