Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Michael Nyman made his reputation with pieces that mesmerised with their vigour and precision, with the way their simple constituent...
Reviewed by bwitherden in issue: 12/2002
Compilations can create complications in Dowland unless one senses a raison d'etre for the choice of songs, the order of...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1993
There’s a touching paradox here in that while Barenboim’s Arab-Israeli orchestra attempts to counter painful traditional antipathies, it’s Vänskä who...
Reviewed by Rob Cowan in issue: 12/2006
There have been several outstanding recordings of this symphony in recent years, including live performances by Leonard Bernstein and Claudio...
Reviewed in issue 12/1992
''Individual originality can be rooted only in national originality'' was Kodaly's belief. His First Quartet, finished in 1909, was his...
Reviewed by Stephen Plaistow in issue: 4/1985
This performance is a few minutes longer than any other recording of Kata Kabanova, and since Cambreling’s tempos are not...
Reviewed by Michael Oliver in issue: 8/2000
Why should tenors have all the fun with Neapolitan songs? That is the clear message of this latest disc from...
Reviewed in issue 1/2002
This richly exploratory recital – far removed from a popular or commercial programme – contradicts at every turn stale, still...
Reviewed by Bryce Morrison in issue: 2/1996
The Romantisches Klavierkonzert is a big play for the soloist, the difficulties of its densely chromatic writing, ‘exuding the aroma...
Reviewed by Jeremy Nicholas in issue: 12/2005
It seems only yesterday that I was welcoming Simon Rattle's first EMI recording of the Fifth Symphony with the Philharmonia...
Reviewed by Robert Layton in issue: 4/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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