Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Unless I was a specialist in viola recordings or a money-no-object collector I think I would hesitate before paying full...
Reviewed in issue 3/1993
I enjoyed much of this recital when I reviewed the LP. The programme is an attractive one, the playing lively...
Reviewed by Nicholas Anderson in issue: 7/1986
Nearly a year ago Rudolf Serkin, in his eightieth year, was featured as soloist with the LSO under Claudio Abbado,...
Reviewed by rgolding in issue: 8/1983
Bernstein mavens familiar with these readings via the audio-only near-equivalents on the Yellow Label will know what to expect. In...
Reviewed by David Gutman in issue: 8/2010
There is, traditionally, no point in arguing about tastes; but to my mind it's a pity that this disc bears...
Reviewed by Lionel Salter in issue: 10/1991
Klami’s three-act ballet Pyorteita (“Whirls”, 1957-61, based on episodes from the Kalevala) was the major project of his last years....
Reviewed in issue 7/1992
Some readers of Gramophone will no doubt remember, in 1997, the publicity surrounding the discovery of ‘new’ music by Mozart....
Reviewed by Stanley Sadie in issue: 10/1999
I welcomed these stylish performances of some hardly known motets by Couperin when I reviewed the LP last May. Now...
Reviewed by Nicholas Anderson in issue: 5/1985
This is Simon Preston's second Bach recording from Soro Abbey and I, for one, could not be more delighted. It's...
Reviewed by Marc Rochester in issue: 3/1992
In 1988, the Munich Festival presented every one of the operas of its native son, Richard Strauss. The late William...
Reviewed by Alan Blyth in issue: 9/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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