Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is a record to set the music world on fire, ablaze with the sort of pianistic panache and poetic...
Reviewed by Bryce Morrison in issue: 7/1996
The youthful Gardiner once turned up at Colin Davis's doorstep and asked how he could become a conductor. Davis offered...
Reviewed by Alan Blyth in issue: 1/1988
First encounters with Enoch zu Guttenberg's Eroica were mostly positive. Tempos are well chosen, energy levels high and there are...
Reviewed by Rob Cowan in issue: 6/2000
Here are four famous old veterans who have seen heroic service, reappearing from time time in various guises, never fading...
Reviewed by John Warrack in issue: 9/2003
This is vintage Ives, a kind of source book presenting his ideas and involvements in various chamber orchestra dimensions. The...
Reviewed by Peter Dickinson in issue: 2/1991
The Pieces de fantaisie provide a wealth of display material for record companies and concert organists. But for the average...
Reviewed by Marc Rochester in issue: 3/1992
The first time I played these performances, I rather disliked them. The second time, they made more sense and now...
Reviewed in issue 12/1996
First impressions of the new LP were good. What sturck me at once was the pleasing, natural bloom of the...
Reviewed in issue 6/1987
As a matter of tactics disregarding the printed order of the works, this second disc opens in the most effective...
Reviewed by Lionel Salter in issue: 12/1999
This fifth volume of William Alwyn’s orchestral music from Naxos boasts premiere recordings of two attractive early finds. Unheard for...
Reviewed by Andrew Achenbach in issue: 2/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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