Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Gimmickry? Not a bit of it. This is a genuinely illuminating and thought-provoking issue. More than that, it’s immensely enjoyable....
Reviewed in issue 3/1999
The double-sided 78rpm was perfect for this sort of repertory, and indeed for a singer of Kullman’s qualities. Limpid tone,...
Reviewed by Patrick O'Connor in issue: 2/1996
The combination of flute, viola and harp has not been exactly over-employed since Debussy composed his Sonata of 1916, so...
Reviewed by Michael Stewart in issue: 12/1994
Here‚ following his earlier Rachmaninov discs‚ 28yearold Nikolai Lugansky concentrates on the composer’s youthful ardour and intricacy. And as on...
Reviewed in issue 13/2001
Alerted to Arcadi Volodos’s calibre I hurried to London’s Wigmore Hall some months ago. I was not disappointed. Performing a...
Reviewed by Bryce Morrison in issue: 10/1997
David Lively, an American pianist now living in France, has impressive credentials: one of Arrau's few pupils, he has been...
Reviewed by Lionel Salter in issue: 9/1990
The Lausanne-based Sine Nomine Quartet bring to these performances a splendid combination of energy, commitment and elegance. It’s very satisfying...
Reviewed by DuncanDruce in issue: 4/2006
''Brain-Kell-Goossens play Schumann and Beethoven'' announces the cover of this disc, in an attempt to bring a somewhat diverse programme...
Reviewed in issue 12/1993
Sophie Cristofari (a name new to me and about whom the booklet tells us nothing) is a pianist who clearly...
Reviewed by Tim Parry in issue: 12/2002
The Talich Quartet are a gifted ensemble, but there is something unspontaneous about their playing of the Debussy Quartet that...
Reviewed by Christopher Headington in issue: 11/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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