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BERG Lyric Suite

First, hats off to the Belcea and Emerson quartets for astonishingly accurate and coordinated accounts of the Lyric Suite, even...

Reviewed by Peter Quantrill in issue: 10/2015

Arias for Luigi Marchesi

The musicologist Stefano Aresi and his intrepid ensemble Stile Galante turn their microscope on the Milanese castrato Luigi Marchesini (1755-1829),...

Reviewed by David Vickers in issue: 10/2015

Arias for Benucci

Not usually one to go overboard about Italians, Mozart was delighted with the singing of Francesco Benucci, star of Vienna’s...

Reviewed by Richard Wigmore in issue: 10/2015

WAGNER Das Rheingold

This is the fifth performance since 2004 you may be able to access of the first Ring opera under Simon...

Reviewed by Mike Ashman in issue: 10/2015

TCHAIKOVSKY Iolanta

It’s wonderful to see Tchaikovsky’s Iolanta finally receiving its due. Peter Sellars’s quirky staging appeared at Aix-en-Provence this summer and...

Reviewed by Mark Pullinger in issue: 10/2015

ROSSINI La gazza ladra

Rossini’s La gazza ladra, based on the story of a French peasant girl who was hanged for thefts later discovered...

Reviewed by Richard Osborne in issue: 10/2015

OFFENBACH Les Contes d’Hoffmann

‘Pass by, epileptic dunghill without grandeur, hysterical trash-heap of plays and shows!’ The words are Fernando Pessoa’s in his ranting...

Reviewed by Tim Ashley in issue: 10/2015

MOZART Cosi fan tutte; Don Giovanni

Here we go again. Sven-Eric Bechtolf is another theatre director who doesn’t understand Così fan tutte. Correction: he understands it...

Reviewed by Richard Lawrence in issue: 10/2015

MOZART Die Entführung aus dem Serail

Hard on the heels of Yannick Nézet-Séguin’s DG recording of Mozart’s Ottoman Singspiel (DG, 8/15) comes this radical version from...

Reviewed by Tim Ashley in issue: 10/2015

HINDEMITH The Long Christmas Dinner

Thornton Wilder was one of the most musical of playwrights yet throughout his life rejected requests to set his plays...

Reviewed by Guy Rickards in issue: 10/2015

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