Why make a high-end CD player in 2025?
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
For readers of a certain age, The Lark Ascending may be the biggest draw here. Pinchas Zukerman, long the starriest...
Reviewed by David Gutman in issue: 04/2016
Some of Stephen Hough’s greatest triumphs are to be found in Hyperion’s wondrous Romantic Piano Concerto series. In a sense...
Reviewed by Harriet Smith in issue: 04/2016
Vol 1 of Chandos’s ‘Comédie et Tragédie’ series contained well-known pieces by Lully, Marais and Rebel. The music here is...
Reviewed by Richard Lawrence in issue: 04/2016
Born Alexander Paucker in Bucharest, Francis Chagrin (1905-1972) settled first in Paris (where he studied with Paul Dukas and Nadia...
Reviewed by Andrew Achenbach in issue: 04/2016
I was struck while watching this latest instalment of Christian Thielemann’s video Bruckner cycle how much camera movement there is...
Reviewed by Christian Hoskins in issue: 04/2016
This first recording of a Bruckner symphony by the relatively unknown American conductor Lance Friedel is notable for not only...
Reviewed by Christian Hoskins in issue: 04/2016
A jet engine revs at the start of Mothership (2010) by Mason Bates, something like a spacecraft taking off. (At...
Reviewed by Kate Molleson in issue: 04/2016
In recent years Gil Shaham has taken up the cudgels for the music of a decade which, he would argue,...
Reviewed by David Gutman in issue: 04/2016
This new disc of Bach concertos has attributes we have come to expect from the Dunedin Consort and Linn, namely...
Reviewed by Lindsay Kemp in issue: 04/2016
Atterberg’s Third Symphony was assembled in stages between 1914 and 1916 from ideas for three seascapes/tone-poems that – after the...
Reviewed by Guy Rickards in issue: 04/2016
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
'The forensic study of Monteverdi’s madrigals bears ripe fruit from four decades of philological...
Jed Distler delves into a massive collection focusing on the conductor’s later discography
Richard Whitehouse on a collection taking in the London Sinfonietta’s 1970s recordings
'A veritable treasure trove for enthusiasts'
Rob Cowan on three collections of vintage recorded performances
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.