Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
The presence of the pioneering harpsichordist Wanda Landowska in early-20th-century Paris inspired many composers to write for her. Her instrument...
Reviewed by Jed Distler in issue: 12/2015
Vieuxtemps was among the foremost of the post-Paganini generation of violinist-composers. That his music should be so little heard and...
Reviewed by Jeremy Nicholas in issue: 12/2015
In his accompanying notes to this live recording, Craig Sheppard quotes Kurt Sanderling’s comment that if Shostakovich’s 24 Preludes and...
Reviewed by Bryce Morrison in issue: 12/2015
With his Chopin Mazurkas (see page 70) and an earlier Brilliant set of Scriabin sonatas, Dmitri Alexeev marks a return...
Reviewed by Bryce Morrison in issue: 12/2015
Nicolai Lugansky is an impressive pianist, with a ravishingly beautiful sound and a technique that renders dense textures with perfect...
Reviewed by Patrick Rucker in issue: 12/2015
Shani Diluka is a pianist whose playing throws open the doors to hitherto unimagined chambers within the realm of understatement....
Reviewed by Patrick Rucker in issue: 12/2015
For an entrée into the polyphonic world of Godowsky, Emanuele Delucchi’s programme could hardly be bettered – a representative, nicely...
Reviewed by Jeremy Nicholas in issue: 12/2015
There’s a neat Cornelius Cardew quote about how best to approach the works of Morton Feldman: ‘Almost all Feldman’s music...
Reviewed by Kate Molleson in issue: 12/2015
Luiza Borac reset the bar in Enescu’s solo piano music in her survey (2003 05), overtaking Aurora Ienei (Electrecord/Olympia –...
Reviewed by Guy Rickards in issue: 12/2015
Francesco Piemontesi, who numbers Brendel, Perahia, Weissenberg and Ousset among his teachers, offers a masterly account of Debussy’s Préludes. Yet...
Reviewed by Bryce Morrison in issue: 12/2015
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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