Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s been a long time since a singer has generated as much buzz as the Norwegian soprano Lise Davidsen, Gramophone’s...
Reviewed by Hugo Shirley in issue: 06/2019
On his tireless voyage of ceremonial and liturgical reconstruction, Paul McCreesh’s 20th-century coronation anthology is arguably his most ambitious and...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2019
A work that tends to bring out the best in the singers who have tackled it, Poème de l’amour et...
Reviewed by Tim Ashley in issue: 06/2019
Here’s an analogy for András Schiff’s second disc in his survey of Schubert’s late works on his Brodmann fortepiano. Imagine...
Reviewed by Michelle Assay in issue: 06/2019
Ah, this is more like it! Bach played with no hang-ups, using the full resources of a magnificent organ (the...
Reviewed by Marc Rochester in issue: 06/2019
With performances by Steve Reich and Musicians – Reich’s own group – becoming a far less regular occurrence these days,...
Reviewed by Pwyll ap Siôn in issue: 06/2019
There’s little in Beethoven’s output that’s undervalued but I have the sense that the cello sonatas don’t quite get the...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Last year the American countertenor Anthony Roth Costanzo gave us a recital pairing music by Philip Glass and Handel (Decca)....
Reviewed by Alexandra Coghlan in issue: 05/2019
Among a flurry of Mendelssohn piano concerto recordings in recent months, the direct competitor to this new one will be...
Reviewed by David Threasher in issue: 05/2019
The Doric Quartet’s beautiful Britten cycle was recorded in tandem with a series of concerts, greatly admired, in Snape Maltings...
Reviewed by Tim Ashley in issue: 05/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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