Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Jonathan Biss and Angela Hewitt are both nearing the end of their Beethoven sonata cycles, which have evolved very gradually...
Reviewed by Harriet Smith in issue: 06/2019
Steven Devine’s traversal of The Well Tempered Clavier, Book 1, with Book 2 to follow, is both thoughtful and thought-provoking....
Reviewed by Patrick Rucker in issue: 06/2019
Because she can; and why not? Rachel Podger has earned the right to deal briskly with the rights and wrongs...
Reviewed by Peter Quantrill in issue: 06/2019
Philip Glass gets top billing here, unsurprisingly I suppose, for – astonishingly – his first work for percussion ensemble, the...
Reviewed by Guy Rickards in issue: 06/2019
Combining Evgeny Kissin and the Emerson Quartet was always going to be a juxtaposition of strong musical minds, as this...
Reviewed by Harriet Smith in issue: 06/2019
This latest from Florilegium is such a musicological feast that it had three-quarters won me over before I even pressed...
Reviewed by Charlotte Gardner in issue: 06/2019
Les Vents Français have continued to set the pace in terms of wind-ensemble repertoire since their Gramophone Award-winning ‘Winds &...
Reviewed by Richard Whitehouse in issue: 06/2019
The particular twist in the Quartetto di Cremona’s coupling of Schubert’s two most popular late string masterpieces is their use...
Reviewed by David Threasher in issue: 06/2019
Anima Eterna perform Schubert’s ever-lovable Octet on instruments largely from the early 19th century. And these instruments are wild. Lisa...
Reviewed by David Threasher in issue: 06/2019
Here’s a disc to sweep away preconceptions and to help you hear with fresh ears. Howells described the finale of...
Reviewed by Richard Bratby in issue: 06/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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