Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Radamés Gnattali (1906 88) was an important figure in Brazilian music. He never realised his dream of being a concert...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Performances of conspicuous insight, pedigree and power. In the mighty Piano Quintet the Brodskys generate a consistently stimulating rapport with...
Reviewed by Andrew Achenbach in issue: 06/2019
The Albion Quartet, formed as recently as 2016, are a group of young Brits led by Tamsin Waley-Cohen. In a...
Reviewed by Harriet Smith in issue: 05/2019
Christophe Rousset and Les Talens Lyriques celebrate the 350th anniversary of the birth of François Couperin ‘le Grand’ (1668-1733) with...
Reviewed by David Vickers in issue: 05/2019
‘You English make Brahms so cold! In reality he was such a human person’, said his former pupil Ilona Eibenschütz....
Reviewed by Richard Bratby in issue: 06/2019
The young Chinese musicians of the Dragon Quartet here follow up their first disc for Channel Classics (of Schubert and...
Reviewed by David Fanning in issue: 06/2019
A decade on from Swing, Sing & Think – Bruno Monsaingeon’s film that follows David Fray recording Bach’s keyboard concertos,...
Reviewed by Mark Seow in issue: 06/2019
The Smetana Trio is one of those groups in the grand Czech tradition; this latest line-up features three formidably fine...
Reviewed by Harriet Smith in issue: 06/2019
Antheil composed his first three violin sonatas in 1923 24, while he was living and working in Europe. They are...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Extravagantly premiered at the Queen’s Theatre, Haymarket, in 1711, Rinaldo made Handel’s reputation in London and received more stagings, at...
Reviewed by Richard Wigmore in issue: 06/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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