Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Kenneth Leighton’s and Frank Martin’s Masses begin almost identically, and for a time the similarities between them are so obvious...
Reviewed by Marc Rochester in issue: 05/2019
Granted, Judas Maccabaeus is never likely to be a favourite in Scotland. But Handel’s celebration of ‘Butcher’ Cumberland’s victory over...
Reviewed by Richard Wigmore in issue: 05/2019
There are just four extant choral works by Maurice Duruflé, which, by good fortune, are easily accommodated on a single...
Reviewed by Marc Rochester in issue: 05/2019
This isn’t the first recording of Dufay’s chansons to appear since the Medieval Ensemble of London’s complete survey nearly 40...
Reviewed by Fabrice Fitch in issue: 05/2019
To celebrate the Treaty of the Pyrenees between France and Spain, and to mark the consequent wedding of the young...
Reviewed by Richard Lawrence in issue: 05/2019
If a single achievement symbolises the British ‘lead’ in performing Berlioz over the composer’s homeland, it could well be the...
Reviewed by Mike Ashman in issue: 05/2019
A Soviet decree in 1928 forbade performances of Bach’s Passions by the State Academic Cappella more than twice a year,...
Reviewed by Peter Quantrill in issue: 05/2019
The sublime lullaby ‘Schlummert ein’, surely the most searching and sensuous meditation on the favourite Pietist metaphor of death-as-sleep, has...
Reviewed by Richard Wigmore in issue: 05/2019
The pianist Leonard Pennario has never been ranked with the all-time greats. He died in 2008 but never achieved the...
Reviewed by Jeremy Nicholas in issue: 05/2019
Do you want this box? Yes, you do. Is it worth it? Again, yes, almost certainly, it is. Diehard Furtwängler...
Reviewed by Peter Quantrill in issue: 05/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.