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Review of SCARLATTI Il martirio di Santa Teodosia

SCARLATTI Il martirio di Santa Teodosia

Reflecting contemporary iconography, female saints, virgins and martyrs were irresistible subjects for Italian Baroque composers. Alessandro Scarlatti wrote four such...

Reviewed by Richard Wigmore in issue: 08/2020

Review of ROSSI La Lyra d’Orfeo. Arpa Davidica

ROSSI La Lyra d’Orfeo. Arpa Davidica

This triple album comprises two projects recorded 14 years apart. A few relatively better-known arias and cantatas are interspersed among...

Reviewed by David Vickers in issue: 08/2020

Review of PROKOFIEV Songs and Romances (Margarita Gritskova)

PROKOFIEV Songs and Romances (Margarita Gritskova)

Prokofiev’s 72 songs are less well known than other corners of his repertoire, so any chance to increase familiarisation is...

Reviewed by Mark Pullinger in issue: 08/2020

Review of PARK Choral Music (Epiphoni Consort)

PARK Choral Music (Epiphoni Consort)

When it comes to vocal music it’s less a case of boldly going where no man has gone before than...

Reviewed by Alexandra Coghlan in issue: 08/2020

Review of LE JEUNE Le Printemps

LE JEUNE Le Printemps

Claude Le Jeune (1528/30-1600) was one of the more adventurous composers of the late 16th century and part of a...

Reviewed by Edward Breen in issue: 08/2020

Review of LASSUS Inferno (Reuss)

LASSUS Inferno (Reuss)

As with Brahms, Lassus’s late style tends towards concision and seriousness – words he himself used to describe these qualities....

Reviewed by Fabrice Fitch in issue: 08/2020

Review of HANDEL Continuo Cantatas

HANDEL Continuo Cantatas

The harpsichordist Christian Kjos presents five continuo cantatas composed in Italy between late 1706 and early 1710. Nice, che fa?...

Reviewed by David Vickers in issue: 08/2020

Review of CLEVE Missa Rex Babylonis (Cinquecento)

CLEVE Missa Rex Babylonis (Cinquecento)

Since their inception, Cinquecento have shone a light on the Imperial Habsburg court, which hitherto had warranted barely a metaphorical...

Reviewed by Fabrice Fitch in issue: 08/2020

Review of BONONCINI La Conversione Di Maddalena (La Venexiana)

BONONCINI La Conversione Di Maddalena (La Venexiana)

Before Bononcini joined Handel writing operas for London’s King’s Theatre during the 1720s, the highly esteemed Modenese composer, cellist and...

Reviewed by David Vickers in issue: 08/2020

Review of BEETHOVEN Lieder & Folksongs (Ian Bostridge)

BEETHOVEN Lieder & Folksongs (Ian Bostridge)

We could do a lot worse in the Beethoven year than listen more to his songs. Too easily overlooked, they...

Reviewed by Hugo Shirley in issue: 08/2020


 

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