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Review of BRUCH Symphonies Nos 1-3 (Trevino)

BRUCH Symphonies Nos 1-3 (Trevino)

Poor old Max Bruch: a composer born to spin long lyrical melodies in a culture that demanded that its symphonists...

Reviewed by Richard Bratby in issue: 08/2020

Review of BEETHOVEN Symphonies (Trevino)

BEETHOVEN Symphonies (Trevino)

Recorded live, it says on the back of the box, and you can tell: not by the concluding applause, which...

Reviewed by Peter Quantrill in issue: 08/2020

Review of ADÈS In Seven Days (Kirill Gerstein)

ADÈS In Seven Days (Kirill Gerstein)

In Seven Days is the serious piano-and-orchestra work to Adès’s more display-orientated Piano Concerto (DG, 5/20), in which sense it...

Reviewed by Andrew Mellor in issue: 08/2020

Review of DALLAPICCOLA Il Prigioniero (Noseda)

DALLAPICCOLA Il Prigioniero (Noseda)

Gianandrea Noseda’s powerhouse recording of Il prigioniero marks his return to Dallapiccola’s music after a gap of 10 years. An...

Reviewed by Tim Ashley in issue: 08/2020

Review of Karina Gauvin: Nuits Blanches

Karina Gauvin: Nuits Blanches

It was in 2014 that Cecilia Bartoli donned her faux fur hat and headed to St Petersburg to unearth Baroque...

Reviewed by Mark Pullinger in issue: 08/2020

Review of Aleksandra Kurzak: Desire

Aleksandra Kurzak: Desire

For her first solo album in seven years, Aleksandra Kurzak makes a move into some unexpected repertoire. Her previous album...

Reviewed by Hugo Shirley in issue: 08/2020

Review of Sarah Traubel: Arias for Josepha

Sarah Traubel: Arias for Josepha

‘A lazy, coarse, shifty character, cunning as a fox’ was Mozart’s crisp verdict on Josepha Weber in a letter to...

Reviewed by Richard Wigmore in issue: 08/2020

Review of Franco Fagioli: Veni, Vidi, Vinci

Franco Fagioli: Veni, Vidi, Vinci

Contrary to the chronic pun, Vinci neither composed an opera about Julius Caesar nor conquered Britain – although some of...

Reviewed by David Vickers in issue: 08/2020

Review of TELEMANN Miriways (Labadie)

TELEMANN Miriways (Labadie)

In all but name, Miriways is a German-language opera seria, with a happy ending after the characters have confronted –...

Reviewed by Richard Lawrence in issue: 08/2020

Review of STRAUSS Die Frau ohne Schatten (Thielemann)

STRAUSS Die Frau ohne Schatten (Thielemann)

The Vienna State Opera’s centenary production of Die Frau ohne Schatten last year was inevitably one of the hottest tickets...

Reviewed by Hugo Shirley in issue: 08/2020


 

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