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Review of MONIUSZKO The Haunted Manor (Nowak)

MONIUSZKO The Haunted Manor (Nowak)

This fantastic series of Moniuszko operas with period-instrument orchestras continues apace with Straszny dwór (The Haunted Manor), a four-act work...

Reviewed by Ivan Moody in issue: 08/2020

Review of MASSENET Thaïs (Davis)

MASSENET Thaïs (Davis)

Made in tandem with concert performances in Toronto last November, Andrew Davis’s recording of Massenet’s great parable about sex and...

Reviewed by Tim Ashley in issue: 08/2020

Review of MASCAGNI Cavalleria Rusticana (Janowski)

MASCAGNI Cavalleria Rusticana (Janowski)

After recordings of Wagner, Weber and Humperdinck for Pentatone, Mascagni might seem like a bit of a detour for Marek...

Reviewed by Hugo Shirley in issue: 08/2020

Review of Samuel Mariño: Care pupille

Samuel Mariño: Care pupille

Since Alfred Deller was ‘discovered’ by Michael Tippett in the 1940s, countertenors have tended to get higher and louder. Many...

Reviewed by Richard Wigmore in issue: 08/2020

Review of Sleeper's Prayer: Choral Music from North America

Sleeper's Prayer: Choral Music from North America

Whether or not you like the typical American choral sound, there’s no denying that it was made both by and...

Reviewed by Alexandra Coghlan in issue: 08/2020

Review of Cantos sagrados

Cantos sagrados

‘What did you say?’, the opening phrase of James MacMillan’s Cantos sagrados abruptly demands. But the answer here is in...

Reviewed by Alexandra Coghlan in issue: 08/2020

Review of MAHLER Lieder eines Fahrenden Gesellen (Ilker Arcayürek)

MAHLER Lieder eines Fahrenden Gesellen (Ilker Arcayürek)

The Istanbul-born, Vienna-based tenor Ilker Arcayürek’s Schubert-only debut was well received in these pages, earning an Editor’s Choice (Champs Hill,...

Reviewed by Hugo Shirley in issue: 08/2020

Review of STROUSE Rags (London Cast Recording)

STROUSE Rags (London Cast Recording)

I have always been unreasonably fond of Charles Strouse and Stephen Schwartz’s Rags and would have given my right arm...

Reviewed by Edward Seckerson in issue: 08/2020

Review of SOMERVELL A Shropshire Lad. Maud (Roderick Williams)

SOMERVELL A Shropshire Lad. Maud (Roderick Williams)

Hubert Parry thought very highly of his pupil Arthur Somervell (1863-1937), singling out for approval one of his early settings...

Reviewed by Andrew Achenbach in issue: 08/2020

Review of SHAW Is a Rose. The Listeners (Live)

SHAW Is a Rose. The Listeners (Live)

Having first made quite an impression back in 2013 with the strikingly original Partita for 8 Voices, followed last year...

Reviewed by Pwyll ap Siôn in issue: 08/2020


 

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