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Review of PINNOCK Lines and Spaces

PINNOCK Lines and Spaces

The arresting output of Naomi Pinnock (b1979) has not received much exposure in the UK (the Huddersfield Festival excepted), so...

Reviewed by Richard Whitehouse in issue: 08/2020

Review of PIATTI Operatic Fantasies, Vol 2

PIATTI Operatic Fantasies, Vol 2

How many student cellists have fallen in love, despite themselves, with the studies of Alfredo Piatti? It’s not that they’re...

Reviewed by Richard Bratby in issue: 08/2020

Review of LIM Extinction Events and Dawn Chorus

LIM Extinction Events and Dawn Chorus

Based at the University of Huddersfield, the Australian composer Liza Lim is one of a growing number of contemporary composers...

Reviewed by Liam Cagney in issue: 08/2020

Review of HAYDN String Quartets, Op 76 Nos 1‑3 ( Chiaroscuro Quartet)

HAYDN String Quartets, Op 76 Nos 1‑3 ( Chiaroscuro Quartet)

Charles Burney hit the nail on the head. The Op 76 quartets, he wrote, were proof of Haydn’s enduringly youthful...

Reviewed by Richard Bratby in issue: 08/2020

Review of BEETHOVEN Violin Sonatas Nos 1, 5 & 8 (Tamsin Waley-Cohen)

BEETHOVEN Violin Sonatas Nos 1, 5 & 8 (Tamsin Waley-Cohen)

These are closely miked studio accounts, with little sense of the 300-seat Snape Maltings acoustic in which they were recorded,...

Reviewed by Peter Quantrill in issue: 08/2020

Review of AHO Chamber Music

AHO Chamber Music

Highly prolific composers from Mozart to Martinů have a capacity to pull flair and distinction out of the bag just...

Reviewed by Andrew Mellor in issue: 08/2020

Review of LA Phil 100

LA Phil 100

The LA Phil had more than a major birthday to celebrate at this concert, which marked 100 years to the...

Reviewed by Andrew Mellor in issue: 08/2020

Review of Augustin Hadelich: Bohemian Tales

Augustin Hadelich: Bohemian Tales

I was wowed by Augustin Hadelich’s richly characterised and subtly coloured account of the Brahms Concerto (Warner, 6/19), and his...

Reviewed by Andrew Farach-Colton in issue: 08/2020

Review of Sharon Isbin: Affinity

Sharon Isbin: Affinity

‘Affinity’ by name, affinity by nature, Sharon Isbin’s terrific latest recording evinces a wonderful talent for making fully hers what...

Reviewed by William Yeoman in issue: 08/2020

Review of Martin Fröst: Vivaldi

Martin Fröst: Vivaldi

There’s Venetian intrigue here, a touch of smoke and mirrors. The booklet cover itself raises two questions. ‘Martin Fröst Vivaldi’...

Reviewed by Mark Pullinger in issue: 08/2020


 

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