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Review of EŠENVALDS Translations

EŠENVALDS Translations

For those seeking comfort and an escape from the manifold stresses and uncertainties currently facing mankind, there will be much...

Reviewed by Malcolm Riley in issue: 05/2020

Review of Singing in Secret: Clandestine Catholic Music by William Byrd

Singing in Secret: Clandestine Catholic Music by William Byrd

Byrd’s Four-Voice Mass is coupled with the Propers for All Saints in this well-conceived programme, which imagines one of those...

Reviewed by Fabrice Fitch in issue: 05/2020

Review of Robin Tritschler: The songs of Brahms Vol 9

Robin Tritschler: The songs of Brahms Vol 9

For the ninth volume of his Brahms series, Graham Johnson is joined by Robin Tritschler – the third tenor to...

Reviewed by Hugo Shirley in issue: 04/2020

Review of BEETHOVEN Missa Solemnis (Gielen)

BEETHOVEN Missa Solemnis (Gielen)

This is the fourth Gielen-directed Missa solemnis to appear on record; not the most recent – a Capriccio release of...

Reviewed by Peter Quantrill in issue: 05/2020

Review of JS BACH St Matthew Passion (Cleobury)

JS BACH St Matthew Passion (Cleobury)

The death of Stephen Cleobury last November, seven months after he had ended his 37 years as Music Director of...

Reviewed by Lindsay Kemp in issue: 05/2020

Review of VINE Aphorisms

VINE Aphorisms

It seems short-sighted for an emerging piano talent such as Lindsay Garritson to bring out a new CD without including...

Reviewed by Jed Distler in issue: 04/2020

Review of MORAVEC Sanctuary Road

MORAVEC Sanctuary Road

The subject of Paul Moravec’s oratorio Sanctuary Road is William Still (1821-1902), one of the main activists running the Underground...

Reviewed by Guy Rickards in issue: 04/2020

Review of LENTZ Ending(s)

LENTZ Ending(s)

There’s no need to pigeonhole Daniel Lentz’s compositional aesthetic. He has traversed an array of styles throughout his productive career,...

Reviewed by Donald Rosenberg in issue: 04/2020

Review of Brahms in Transcription (Uriel Tsachor)

Brahms in Transcription (Uriel Tsachor)

During December 1914 and January 1915 Max Reger transcribed five Brahms symphonic slow movements for solo piano, which he deemed...

Reviewed by Jed Distler in issue: 04/2020

Review of JS BACH Sonatas and Partitas for Solo Violin (Tomás Cotik)

JS BACH Sonatas and Partitas for Solo Violin (Tomás Cotik)

On this two-disc set of Bach’s Solo Sonatas and Partitas, Tomás Cotik’s deeply analytical playing adds to an exhilarating display...

Reviewed by Laurence Vittes in issue: 04/2020


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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