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Review of PHILLIPS The Grey Land

PHILLIPS The Grey Land

Joseph C Phillips Jr’s immersive multimedia opera The Grey Land takes its title from Richard Wright’s novel of alienation, Native...

Reviewed by Laurence Vittes in issue: 04/2021

Review of Bruits (Imani Winds)

Bruits (Imani Winds)

Musicians have felt an increasing urgency over the past year to become engaged with issues of social justice. Imani Winds...

Reviewed by Thomas May in issue: 04/2021

Review of Uncovered, Vol 1: Samuel Coleridge-Taylor

Uncovered, Vol 1: Samuel Coleridge-Taylor

The Catalyst Quartet certainly live up to their name. The musicians are devoted to changing the way audiences perceive classical...

Reviewed by Donald Rosenberg in issue: 04/2021

Review of CARL White Heron

CARL White Heron

Aficionados of contemporary music will already be familiar with the name Robert Carl as a writer. He has authored extensive...

Reviewed by Thomas May in issue: 04/2021

Review of Lise Davidsen: Beethoven, Wagner, Verdi

Lise Davidsen: Beethoven, Wagner, Verdi

‘I’ll be 34 by the time it’s released’, Lise Davidsen says in the booklet for her second solo album, ‘so...

Reviewed by Hugo Shirley in issue: 04/2021

Review of WEBER 'The Freischütz Project' (Equilbey)

WEBER 'The Freischütz Project' (Equilbey)

Rooted in folk song and Teutonic peasant myth, Weber’s opera with the famously untranslatable title is the epitome of German...

Reviewed by Richard Wigmore in issue: 04/2021

Review of WAGNER Lohengrin (Meister)

WAGNER Lohengrin (Meister)

Arguably Lohengrin remains one of Wagner’s most problematic operas to stage today, walking a tightrope between aggrandising and critiquing ideas...

Reviewed by Hugo Shirley in issue: 04/2021

Review of PUCCINI La Fanciulla del West (Foster)

PUCCINI La Fanciulla del West (Foster)

Transylvania may not be the first location you would think of to track down Puccini’s operatic spaghetti western on disc,...

Reviewed by Mark Pullinger in issue: 04/2021

Review of Eva Zaïcik: Royal Handel

Eva Zaïcik: Royal Handel

Let’s be honest. Whoever came up with the title for this release needs to think again. ‘Royal Handel’? That’s odes,...

Reviewed by Lindsay Kemp in issue: 04/2021

Review of GRAUPNER Antiochus und Stratonica

GRAUPNER Antiochus und Stratonica

Between 1706 and 1709 Christoph Graupner composed five operas for Hamburg’s Gänsemarkt opera. Antiochus und Stratonica (1708) is one of...

Reviewed by David Vickers in issue: 04/2021


 

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