Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When Beethoven shares the theme of Op 131’s Andante between the two violins, it’s like two friends, not always but...
Reviewed by Peter Quantrill in issue: 05/2021
It is a rare and wonderful thing when a sequel surpasses its first instalment. In my review of Vol 1...
Reviewed by Mark Seow in issue: 05/2021
After the Fiats, the chess pieces and the football shirts comes the Vespa, another striking cover image for the latest...
Reviewed by Lindsay Kemp in issue: 05/2021
Given his unstinting advocacy of Mieczysław Weinberg in recent years, it was inevitable that Gidon Kremer would eventually tackle the...
Reviewed by Richard Whitehouse in issue: 05/2021
Believe it or not, but after the violin, the instrument Vivaldi wrote the most concertos for was the bassoon. There...
Reviewed by Charlotte Gardner in issue: 05/2021
A welcome transfer from Marco Polo to Naxos for this enterprising Sullivan coupling that originally appeared in 1992. First heard...
Reviewed by Andrew Achenbach in issue: 05/2021
Those who follow new music in the UK will likely have come across Martin Suckling (b1981) with his impressive song-cycle...
Reviewed by Richard Whitehouse in issue: 05/2021
While Ottorino Respighi’s cinematic ‘Roman Trilogy’ pushes for a dramatic use of vivid orchestral colours, his various visits to other...
Reviewed by Rob Cowan in issue: 05/2021
The London Symphony Orchestra have a kind of ownership on this piece. The era of André Previn and his and...
Reviewed by Edward Seckerson in issue: 05/2021
Two discs of works by Mozart for solo instruments and orchestra, but with none of the usual suspects – and...
Reviewed by David Threasher in issue: 05/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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