Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
John Eccles’s setting of his friend William Congreve’s wry morality tale was one of the great might-have-beens in English operatic...
Reviewed by Richard Wigmore in issue: 04/2021
Donizetti’s fourth opera, Pietro il Grande, kzar delle Russie was first performed in Venice in 1819. An apprentice work in...
Reviewed by Tim Ashley in issue: 04/2021
The first thing one needs to know about ‘A Musical Zoo’ is that bass-baritone Ashley Riches, the album’s instigator, is...
Reviewed by David Patrick Stearns in issue: 04/2021
In 1932 Villa-Lobos was made responsible for creating a music education system in Brazil. Choral singing was at the heart...
Reviewed by Andrew Farach-Colton in issue: 04/2021
Recorded at London’s Henry Wood Hall in June of last year, this is the second of four volumes from Albion...
Reviewed by Andrew Achenbach in issue: 04/2021
The festivities in 1568 for the wedding of Renate of Lorraine to Wilhelm V, heir to the duchy of Bavaria,...
Reviewed by Fabrice Fitch in issue: 04/2021
Pelham Humfrey (1647/48 74) is among the better known of the English church music composers associated with Purcell, but that...
Reviewed by Lindsay Kemp in issue: 04/2021
If Bach’s Brandenburgs reveal the Lutheran Kantor at his most robustly Handelian, the tables are turned in Handel’s sole Passion...
Reviewed by Richard Whitehouse in issue: 04/2021
This new disc by the Spanish choir El León de Oro of music by Francisco Guerrero (1528 99) joins an...
Reviewed by Edward Breen in issue: 04/2021
After winning last year’s Gramophone Early Music Award, this second instalment in Les Arts Florissants’ Gesualdo series continues to offer...
Reviewed by Edward Breen in issue: 04/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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