Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This debut recording from the Oculi Ensemble features the two extremities of Richard Strauss’s creative life, from his days as...
Reviewed by Jeremy Dibble in issue: 04/2021
The Armida Quartet’s Mozart cycle operates both as an artistic endeavour and as a musicological one. The players are acting...
Reviewed by David Threasher in issue: 04/2021
The title of this Resonus release is a fair summation of those relationships not only between the composers and artists...
Reviewed by Richard Whitehouse in issue: 04/2021
If you gleaned your musical education from Penguin paperbacks, you probably can’t – even now – hear Franck’s Violin Sonata...
Reviewed by Richard Bratby in issue: 04/2021
You’ve probably come across Leo Fall of operetta fame, maybe even his younger brother Richard, who did some scoring in...
Reviewed by Andrew Mellor in issue: 04/2021
UK-based baroque ensemble Spiritato say one of their main aims is ‘to promote forgotten composers and bring their music to...
Reviewed by Lindsay Kemp in issue: 04/2021
Recording Beethoven’s complete violin sonatas in Mechelen, the home of Beethoven’s forebears, during a period of near-global isolation revealed to...
Reviewed by David Threasher in issue: 04/2021
Don’t let this album’s title put you off; nothing is ‘recomposed’ here. Rather, these are quite faithful arrangements for string...
Reviewed by Andrew Farach-Colton in issue: 04/2021
‘Recurrence’, ‘Concurrence’ (3/20) and now ‘Occurrence’. The Iceland Symphony Orchestra’s three-disc survey of new orchestral music from its homeland has...
Reviewed by Andrew Mellor in issue: 04/2021
Now in his late forties, Raymond Yiu has gradually become known as a composer during the past decade. Born in...
Reviewed by Arnold Whittall in issue: 04/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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