Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘All that will be left of life will be the memory of spring storms’, muses the widow Lydia Pawlowska in...
Reviewed by Richard Bratby in issue: 03/2021
Flautist Grégoire Jeay explains that the trio Ensemble Mirabilia hope to capture Vivaldi’s ‘many contrasting styles – light and dark,...
Reviewed by David Vickers in issue: 03/2021
Following their excellent recordings of Salieri’s French operas of the 1780s, Christophe Rousset and Les Talens Lyriques have turned to...
Reviewed by Richard Lawrence in issue: 03/2021
Prokofiev, who liked to think of himself as an opera composer, had a habit of setting unlikely source material. Never...
Reviewed by David Gutman in issue: 03/2021
Naxos has clearly taken up the Meyerbeer mantle from Opera Rara. With Il crociato in Egitto and Semiramide (A/06) already...
Reviewed by Mark Pullinger in issue: 03/2021
Any recording of any music by Engelbert Humperdinck is to be savoured by his devotees, though we know better than...
Reviewed by Andrew Mellor in issue: 03/2021
With her rich tone that records as charismatically as Christa Ludwig’s, Catriona Morison achieves inviting surface lustre in this debut...
Reviewed by David Patrick Stearns in issue: 03/2021
Belgian soprano Jodie Devos burst on to the scene two years ago with a debut album on Alpha showcasing Offenbachian...
Reviewed by Hugo Shirley in issue: 03/2021
There are a lot of firsts here in a album that blazes a trail on multiple levels. This is the...
Reviewed by Alexandra Coghlan in issue: 03/2021
This gorgeous piece by Richard Taylor (music and lyrics) and Rachel Wagstaff (book) is a great example of how the...
Reviewed by Edward Seckerson in issue: 03/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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