Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In a relatively short time, Clare Hammond has established herself as a pianist of impressive abilities who avidly explores repertory...
Reviewed by Patrick Rucker in issue: 05/2021
Le tombeau de Claude Debussy is in effect a joint memorial published two years after the composer’s death in the...
Reviewed by Rob Cowan in issue: 05/2021
‘Perhaps the most important contribution to the solo violin repertoire since the writings of Bach and Paganini’, writes Kerson Leong...
Reviewed by Rob Cowan in issue: 05/2021
When Alexey Stanchinsky died in mysterious circumstances in 1914 at the age of 26, he left behind a remarkable body...
Reviewed by Jed Distler in issue: 05/2021
Hearing the Prokofiev sonatas in chronological order is always a fascinating exercise, as the enthusiastically embraced Scriabin influences of No...
Reviewed by David Fanning in issue: 05/2021
The 26-year-old Naples-born pianist Pier Carmine Garzillo, who did advanced studies at the universities La Sapienza in Rome and Alfonso...
Reviewed by Patrick Rucker in issue: 05/2021
There is no shortage of fine modern players capable of making magic out of Bach’s works for unaccompanied violin. Alina...
Reviewed by Rob Cowan in issue: 05/2021
This is Rinaldo Alessandrini’s third solo harpsichord album, following the mixed-genre ‘Alla maniera italiana’ (5/00) and a disc of preludes...
Reviewed by Lindsay Kemp in issue: 05/2021
The lockdown world has compelled musicians to come up with projects aimed for spiritual uplift. That’s precisely the premise behind...
Reviewed by Jed Distler in issue: 05/2021
Artistry of a high order from this gifted young Swedish virtuoso, and further proof that his dazzling debut album pairing...
Reviewed by Andrew Achenbach in issue: 05/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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