Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Ruby Hughes’s last solo album for BIS (2/20), recorded with the BBC National Orchestra of Wales, featured Berg and Mahler...
Reviewed by Hugo Shirley in issue: AW21
Cavalli’s fame as an opera composer may once have eclipsed his sacred music but in the 25 years since Concerto...
Reviewed by Fabrice Fitch in issue: AW21
There’s a lot of classy competition when it comes to recordings of Canteloube’s Chants d’Auvergne but happily this new BIS...
Reviewed in issue AW21
Collectively titled ‘Longing’, this album juxtaposes songs by Strauss, Berg and Schoenberg written between 1885 and 1948 – encompassing two...
Reviewed by David Patrick Stearns in issue: AW21
During the last decade of her life, pianist Tatiana Shebanova (1953-2011) recorded just about all of Chopin’s solo piano output...
Reviewed by Jed Distler in issue: AW21
The kannel, Estonia’s national instrument, is closely related to other box zithers common in the Baltic region, including the Russian...
Reviewed by Philip Kennicott in issue: AW21
Hyperion’s last release in the ‘Organ Fireworks’ series was over a decade ago, although a kind of highlights disc appeared...
Reviewed by Marc Rochester in issue: AW21
Prior to ‘Ciaccona’ landing on my desk, had someone mooted the idea of an album of solo violin music of...
Reviewed in issue AW21
Jean-Yves Thibaudet, the French pianist long resident in Los Angeles, has chosen to celebrate a milestone birthday with the release...
Reviewed by Patrick Rucker in issue: AW21
Is it worth mentioning of a solo instrumental recital recorded during the summer of 2020 that it was born as...
Reviewed by Charlotte Gardner in issue: AW21
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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