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Review of HENDRICKX; MOZART 'Flow' Clarinet Concertos (Annelien Van Wauwe)

HENDRICKX; MOZART 'Flow' Clarinet Concertos (Annelien Van Wauwe)

During lockdown, while some of us got stuck into baking sourdough, clarinettist Annelien Van Wauwe practised yoga and commissioned Flemish...

Reviewed by Mark Pullinger in issue: 06/2022

Review of GUBAIDULINA Orchestral Works (Kalitzke; Klee)

GUBAIDULINA Orchestral Works (Kalitzke; Klee)

This is a most interesting collection of three of Sofia Gubaidulina’s less-heard orchestral works. Pro et contra, from 1989, is...

Reviewed by Ivan Moody in issue: 06/2022

Review of BEETHOVEN Piano Concertos Nos 1 & 3 (Kristian Bezuidenhout)

BEETHOVEN Piano Concertos Nos 1 & 3 (Kristian Bezuidenhout)

Remember the Beethoven semiquincentennial? The 250th-birthday celebration which was squeezed, contorted, if not ignored all together, in the face of...

Reviewed by Patrick Rucker in issue: 06/2022

Review of HANDEL La Resurrezione (Bicket)

HANDEL La Resurrezione (Bicket)

Amid a string of triumphs from Handel’s glittering Roman sojourns, none rivalled the sacred oratorio La Resurrezione di Nostro Signor...

Reviewed by Richard Wigmore in issue: 06/2022

Review of Boyd Meets Girl: Songs of Love & Despair

Boyd Meets Girl: Songs of Love & Despair

The intimate character of Boyd Meets Girl’s new album is apparent right from the outset of the first track, their...

Reviewed by Guy Rickards in issue: 05/2022

Review of TEIRSTEIN 'Restless Nation'

TEIRSTEIN 'Restless Nation'

Andy Teirstein (b1957) composed his string quartet Restless Nation (2010, rev 2020) after a sabbatical year during which, with his...

Reviewed by Guy Rickards in issue: 05/2022

Review of SOPER The Understanding of All Things

SOPER The Understanding of All Things

When the line ‘Here is a central source of musical emotion’ sounds like poetry, you’ve fallen under the spell of...

Reviewed by Laurence Vittes in issue: 05/2022

Review of SCHUBERT Piano Sonatas, D850 & D960 (Anne-Marie McDermott)

SCHUBERT Piano Sonatas, D850 & D960 (Anne-Marie McDermott)

In the opening measures of the D major Sonata, D850, Anne-Marie McDermott throws down the proverbial gauntlet with a power...

Reviewed by Jed Distler in issue: 05/2022

Review of Confluence – Balkan Dances & Tango nuevo

Confluence – Balkan Dances & Tango nuevo

The idea of bringing together Eastern European folk dances and tango nuevo is a sound one. Astor Piazzolla, tango nuevo’s...

Reviewed by Andrew Farach-Colton in issue: 05/2022

Review of La captive du sérail

La captive du sérail

The 18th century saw a fashion for operas on oriental subjects, often concerning a European woman being rescued by her...

Reviewed by Richard Lawrence in issue: 05/2022


 

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