Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Although they have tended to be overshadowed in the context of his large and diverse output, the violin sonatas by...
Reviewed by Richard Whitehouse in issue: AW21
Sono Luminus’s recent reissue of Anna Thorvaldsdottir’s debut album on Innova, ‘Rhízōma‘ (2011), served as a good reminder that while...
Reviewed by Andrew Mellor in issue: AW21
Something old, something new, something borrowed … I guess all transcriptions are borrowed – or purloined – and viola players...
Reviewed by Mark Pullinger in issue: AW21
Hot on the heels of the Tippett Quartet’s marvellous recent disc of Penderecki’s complete string quartets comes this superb account...
Reviewed by Ivan Moody in issue: AW21
‘Too highly seasoned’, ran an early review of Mozart’s six ‘Haydn’ Quartets. ‘And whose palate can endure this for long?’...
Reviewed by Richard Wigmore in issue: AW21
The Engegård Quartet last appeared in these pages in a pairing of Schumann’s Piano Quartet and Quintet (with Nils Anders...
Reviewed by David Threasher in issue: AW21
In recent years, Another Timbre has established itself as a vital new-music label. Its releases tend towards quiet, slow music...
Reviewed by Liam Cagney in issue: AW21
It’s funny to think that Max Bruch was once viewed as a modernist. But when his Op 5 Piano Trio...
Reviewed by Richard Bratby in issue: AW21
The Berlin-based Feininger Piano Trio embark upon a project to record the three Brahms trios, coupling them with music by...
Reviewed by David Threasher in issue: AW21
Presented here are the quartets of Barber and Ives, including a surprise extra: the original finale for the Barber, which...
Reviewed by Amy Blier-Carruthers in issue: AW21
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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