Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A quick consultation with a well-known online music shop’s website revealed to me four previous albums entitled ‘Lamento’, all featuring...
Reviewed by Lindsay Kemp in issue: AW21
Call it a sequel, a follow-up or a ‘parallel journey’ (as researcher Yannis François does in his illuminating introductory note):...
Reviewed by Alexandra Coghlan in issue: AW21
It appears that Barbara Strozzi did not compose much sacred music other than her Sacri musicali affetti, Op 5, published...
Reviewed by David Vickers in issue: AW21
Stölzel’s Passion oratorio Ein Lämmlein geht und trägt die Schuld was originally written in about 1720 for Gotha, where its...
Reviewed by David Vickers in issue: AW21
Regular readers will know that I hold Cinquecento in especially high regard so it will come as no surprise if...
Reviewed by Edward Breen in issue: AW2021
For the second time in a career, 30 years since their last account, Robert King and The King’s Consort are...
Reviewed by Alexandra Coghlan in issue: AW21
Imagine, if you will, an alternative history, or a parallel musical universe perhaps, where the violin family did not usurp...
Reviewed by Malcolm Riley in issue: AW21
Tale as old as time … but clearly with half an eye on the Instagram age. Hearing this concept album...
Reviewed by Edward Seckerson in issue: AW21
Songs of the legendarily charismatic Franz Liszt would seem – at least in theory – a great fit for magnetic...
Reviewed by David Patrick Stearns in issue: AW21
‘Giosquino’ is the title of this album from Italian ensembles, which brings together several works composed during Josquin’s periods of...
Reviewed by Fabrice Fitch in issue: AW21
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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