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Review of NEUWIRTH Orlando (Pintscher)

NEUWIRTH Orlando (Pintscher)

Filmed during its opening run, Olga Neuwirth’s Orlando was the first full‑length opera by a female composer to be performed...

Reviewed by Tim Ashley in issue: 06/2022

Review of MOZART Così fan tutte (Mehta)

MOZART Così fan tutte (Mehta)

Two productions of Così fan tutte by Sven-Eric Bechtolf have already appeared on DVD: from Zurich, conducted by Franz Welser-Möst...

Reviewed by Richard Lawrence in issue: 06/2022

Review of DONIZETTI 'The Three Queens'

DONIZETTI 'The Three Queens'

Sondra Radvanovsky became the first soprano to sing Donizetti’s three Tudor queens – Anna Bolena, Maria Stuarda and Elisabetta (in...

Reviewed by Mark Pullinger in issue: 06/2022

Review of BEETHOVEN Fidelio (Pappano)

BEETHOVEN Fidelio (Pappano)

One of the most eagerly awaited productions of the 2019‑20 season at Covent Garden was this Fidelio, with Antonio Pappano...

Reviewed by Hugo Shirley in issue: 06/2022

Review of A Room of Mirrors

A Room of Mirrors

The mirror – glass of truth or deception, revealing a twin-self or a dark double – is the intriguing theme...

Reviewed by Alexandra Coghlan in issue: 06/2022

Review of Resurrexi!: Easter in Vienna with Mozart and the Haydn Brothers

Resurrexi!: Easter in Vienna with Mozart and the Haydn Brothers

The subtitle is misleading, as the music by Mozart and Michael Haydn here was all composed for Salzburg Cathedral and...

Reviewed by David Threasher in issue: 06/2022

Review of An Old Belief

An Old Belief

What might at first glance seem like a disparate programme of medieval carols, Renaissance lute songs, Romantic motets and 20th-century...

Reviewed by Jeremy Dibble in issue: 06/2022

Review of Eastertide Evensong (Nethsingha)

Eastertide Evensong (Nethsingha)

Andrew Nethsingha mentions in the booklet that he has clocked up an estimated 8000 Evensongs in his life. As a...

Reviewed by Andrew Mellor in issue: 06/2022

Review of Anna Prohaska: Celebration of Life in Death

Anna Prohaska: Celebration of Life in Death

As musical responses to the pandemic go, this is a bold one. While today’s careful, not to say squeamish prevailing...

Reviewed by Alexandra Coghlan in issue: 06/2022

Review of WILBYE 'Draw On Sweet Night'

WILBYE 'Draw On Sweet Night'

It’s four decades since The Consort of Musicke devoted an entire programme to John Wilbye (L’Oiseau-Lyre, 7/82), and the title...

Reviewed by Fabrice Fitch in issue: 06/2022


 

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