Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
How inspired of OperaGlass Works’ founders Selina Cadell and Eliza Thompson to identify Wilton’s venerable Music Hall as the perfect...
Reviewed by Edward Seckerson in issue: 12/2021
Marianne Crebassa’s ‘Séguedilles’ has its origins in family history. Her maternal grandparents, she tells us in a booklet note, were...
Reviewed by Tim Ashley in issue: 12/2021
If you’ve ever caught yourself regretting the uniformity of performance approaches to Renaissance vocal music, this disc may be for...
Reviewed by Fabrice Fitch in issue: 12/2021
Here is a selection of performances from the various stages of the recent International Chopin Piano Competition played by the...
Reviewed by Jeremy Nicholas in issue: 12/2021
Fresh from their worldwide tour of Beethoven’s string quartets, the Quatuor Ébène come up with an ambitious project centred on...
Reviewed by Richard Whitehouse in issue: 12/2021
The Doric Quartet here conclude in magnificent style the cycle they began in October 2018. The line-up may have changed...
Reviewed by Harriet Smith in issue: 12/2021
Robert Trevino has put together a cleverly varied programme of little-known American orchestral works. Indeed, this is the premiere recording...
Reviewed by Andrew Farach-Colton in issue: 12/2021
Modern listeners tend to take Mahler’s proud claim for the Eighth as his greatest achievement with a soup-spoon of salt....
Reviewed by Peter Quantrill in issue: 12/2021
There is always a spritual dimension to Sofia Gubaidulina’s work, and the violin concerto Dialog: Ich und Du is no...
Reviewed by Ivan Moody in issue: 12/2021
Susanna Mälkki’s thrilling sojourn in Duke Bluebeard’s Castle was roundly welcomed by me in the June issue of Gramophone –...
Reviewed by Edward Seckerson in issue: 12/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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