Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Schubert may have taken Beethoven’s Septet as the model for his Octet but he filled the template with his own...
Reviewed by David Threasher in issue: 12/2021
Ignace Joseph Pleyel’s ‘Prussian’ Quartets were composed during the mid-1780s and published in four sets of three in 1787 with...
Reviewed by David Threasher in issue: 12/2021
While Korngold’s 21st-century rehabilitation as a serious composer seems well and truly complete, it’s fair to say that his chamber...
Reviewed by Charlotte Gardner in issue: 12/2021
The oboe was Ruth Gipps’s main instrument (she studied with Leon Goossens and was at one time principal oboist in...
Reviewed by Guy Rickards in issue: 12/2021
BIS continues to explore the Finnish composer Sebastian Fagerlund (b1972) with this overview of chamber music from the past 15...
Reviewed by Richard Whitehouse in issue: 12/2021
Who is Felix Draeseke, you may ask. It would seem upon closer inspection that Draeseke (1835-1913) is perhaps the most...
Reviewed by Amy Blier-Carruthers in issue: 12/2021
Soloist-led string quartets on disc stretch from the Rose, Busch and Paganini Quartets (the latter led by the brilliant Polish...
Reviewed by Rob Cowan in issue: 12/2021
‘How greatly you wrong me’: it’s extraordinary to think that Beethoven completed his Op 30 so soon before the anguished...
Reviewed by Richard Bratby in issue: 12/2021
If the Malcolm Arnold centenary hasn’t exactly unleashed a torrent of new recordings, that’s probably because few British composers of...
Reviewed by Richard Bratby in issue: 12/2021
Whether celebrating his 150th birthday this past July or anticipating the centennial of his death next November, Marcel Proust has...
Reviewed by Patrick Rucker in issue: 12/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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