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Review of WAGNER Parsifal (Wellber)

WAGNER Parsifal (Wellber)

Filmed at Palermo’s Teatro Massimo shortly before Covid struck in early 2020, this Parsifal represents one of the last productions...

Reviewed by Hugo Shirley in issue: 07/2022

Review of TESORI Blue

TESORI Blue

While themes of racial discrimination, injustice and racially motivated violence have simmered under the surface of the American musical theatre...

Reviewed by Pwyll ap Siôn in issue: 07/2022

Review of SAINT-SAËNS Henry VIII (Rose)

SAINT-SAËNS Henry VIII (Rose)

First performed at the Paris Opéra in 1883, Henry VIII was one of the works, along with Étienne Marcel (1879)...

Reviewed by Tim Ashley in issue: 07/2022

Review of KORNGOLD Die tote Stadt (Franck)

KORNGOLD Die tote Stadt (Franck)

This release lifts the audio from the DVD of Kasper Holten’s production of Korngold’s opera released by Opus Arte in...

Reviewed by Andrew Mellor in issue: 07/2022

Review of JANÁCEK Jenůfa (Rattle)

JANÁCEK Jenůfa (Rattle)

Following the release of Christof Loy’s Deutsche Oper production (8/15), this is the second filmed Jenůfa from Berlin to appear...

Reviewed by Hugo Shirley in issue: 07/2022

Review of HORNEMAN Aladdin

HORNEMAN Aladdin

The Overture to Christian Frederik Emil Horneman’s Aladdin was once among the most-performed pieces of Danish music. It is a...

Reviewed by Andrew Mellor in issue: 07/2022

Review of HOLLIGER Lunea

HOLLIGER Lunea

Modernist opera has a thing for men suffering psychological breakdown. Alongside Berg’s Wozzeck, a recent go-to has been the schizophrenic...

Reviewed by Liam Cagney in issue: 07/2022

Review of When Sleep Comes: Evening Meditations for Voices & Saxophone

When Sleep Comes: Evening Meditations for Voices & Saxophone

‘It’s been done before’, you may say. Well, yes and no. The first thing Nigel Short does in his introduction...

Reviewed by Ivan Moody in issue: 07/2022

Review of Carolyn Sampson: Trennung - Songs of Separation

Carolyn Sampson: Trennung - Songs of Separation

With a mixture of composers both beloved and utterly obscure, Carolyn Sampson and Kristian Bezuidenhout elect to start their often...

Reviewed by David Patrick Stearns in issue: 07/2022

Review of Golda Schultz: This Be Her Verse

Golda Schultz: This Be Her Verse

In her debut solo recital recording, South African soprano Golda Schultz emerges as a master storyteller, an enterprising programmer and,...

Reviewed by David Patrick Stearns in issue: 07/2022


 

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