Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Premiered at the Opéra-Comique 1872, in a double bill with Bizet’s Djamileh, La princesse jaune was the first of Saint-Saëns’s...
Reviewed by Tim Ashley in issue: 11/2021
Il Vologeso was composed towards the end of Jommelli’s time as Ober-Kapellmeister at the court of the Duke of Württemberg....
Reviewed by Richard Lawrence in issue: 11/2021
The irony would not have been lost on Hugo von Hofmannsthal, inveterate snob and Anglophile, that his Freudian updating of...
Reviewed by Peter Quantrill in issue: 11/2021
Ancient Egyptian pharaohs, priests, ceremony, death and … juggling? Is this a Regietheater staging of Aida set in a circus?...
Reviewed by Mark Pullinger in issue: 11/2021
Absence doesn’t make the heart grow any fonder of this performance. I saw it live in 2018 and it was...
Reviewed by Edward Seckerson in issue: 11/2021
As Delos’s gushing booklet note makes clear, this new release of Bellini’s swansong is focused around its two American leads,...
Reviewed by Hugo Shirley in issue: 11/2021
This might be the most serene apocalypse you’ll hear. In ‘Voice of Nature: The Anthropocene’, the soprano Renée Fleming reflects...
Reviewed by Neil Fisher in issue: 11/2021
This is an inventive piece of programming, combining the very well known and the nearly obscure: aside from Ockeghem’s Intemerata...
Reviewed by Fabrice Fitch in issue: 11/2021
Whisper it quietly for now, but Emily D’Angelo is already well on the way to becoming the complete singer. Her...
Reviewed by Pwyll ap Siôn in issue: 11/2021
Well, this is rather gorgeous. The ‘Adriatic Voyage’ of this collaboration between Rory McCleery’s Marian Consort and Bojan Čičić’s Illyria...
Reviewed by Charlotte Gardner in issue: 11/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.