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Review of DVORÁK The Complete Piano Works (Ivo Kahanek)

DVORÁK The Complete Piano Works (Ivo Kahanek)

Doubtless you’ve heard, or at the very least heard of, Dvořák’s Slavonic Dances. But his Scottish Dances? They turn out...

Reviewed by Rob Cowan in issue: 12/2021

Review of CHOPIN Preludes. Polonaise-Fantaisie. Fantaisie-Impromptu (Aimi Kobayashi)

CHOPIN Preludes. Polonaise-Fantaisie. Fantaisie-Impromptu (Aimi Kobayashi)

The Japanese pianist Aimi Kobayashi, now 26, released her debut recording over a decade ago. She was a finalist in...

Reviewed by Jeremy Nicholas in issue: 12/2021

Review of CHOPIN Complete Nocturnes (Stephen Hough)

CHOPIN Complete Nocturnes (Stephen Hough)

In answer to the reasonable question, ‘Who, at this late date, could have something fresh and original to say in...

Reviewed by Patrick Rucker in issue: 12/2021

Review of BRAHMS Piano Sonata No 3. Fantasien Op 116 (Adam Laloum)

BRAHMS Piano Sonata No 3. Fantasien Op 116 (Adam Laloum)

Adam Laloum takes seriously the maestoso directive in the first movement of Brahms’s F minor Sonata, bringing a granitic yet...

Reviewed by Jed Distler in issue: 12/2021

Review of BRAHMS Piano Sonata No 3. Ballades (Alexandre Kantorow)

BRAHMS Piano Sonata No 3. Ballades (Alexandre Kantorow)

Throughout this Brahms recital, Alexandre Kantorow throws down an epic gauntlet, casting his sights on dynamic and dramatic extremes. The...

Reviewed by Jed Distler in issue: 12/2021

Review of JS BACH Sonatas and Partitas for solo violin (Fabio Biondi)

JS BACH Sonatas and Partitas for solo violin (Fabio Biondi)

Two interesting aspects of Fabio Biondi’s deeply personal set of the Bach solo violin works beg close attention: their considerable...

Reviewed by Rob Cowan in issue: 12/2021

Review of JS BACH Goldberg Variations (David Fray)

JS BACH Goldberg Variations (David Fray)

What is it about the Goldberg Variations that encourages such extremes, such individual interpretations? You could argue it’s the plainness...

Reviewed by Harriet Smith in issue: 12/2021

Review of MeMento Mori (Klingzeug Barockensemble)

MeMento Mori (Klingzeug Barockensemble)

Rare has become the ensemble that releases its first album a decade after formation. But much is gained by Klingzeug’s...

Reviewed by Mark Seow in issue: 12/2021

Review of Face(s) à Face(s)

Face(s) à Face(s)

The Romain Leleu Sextet is a class act. Let’s start with the elegant virtuosity of the French trumpeter himself, for...

Reviewed by Andrew Farach-Colton in issue: 12/2021

Review of SEARLE 'Pilgrim of Curiosity'

SEARLE 'Pilgrim of Curiosity'

The Scottish composer Oliver Iredale Searle (b1977) has a clearly defined line in evocative, often exotic titles, which give his...

Reviewed by Arnold Whittall in issue: 12/2021


 

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