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Review of JS BACH The Complete Works For Keyboard, Vol. 6 (Benjamin Alard)

JS BACH The Complete Works For Keyboard, Vol. 6 (Benjamin Alard)

Volume 6 in Benjamin Alard’s cycle covering JS Bach’s complete keyboard output brings us The Well-Tempered Clavier, Book 1. It’s...

Reviewed by Jed Distler in issue: 05/2022

Review of Mozart Momentum - 1786

Mozart Momentum - 1786

I was lucky enough to review the first volume of ‘Mozart Momentum’ (6/21) and this second one, centred around 1786,...

Reviewed by Harriet Smith in issue: 05/2022

Gramophone Classical Music Awards Winner
Review of BEETHOVEN Diabelli Variations (Mitsuko Uchida)

BEETHOVEN Diabelli Variations (Mitsuko Uchida)

Has Diabelli’s innocent theme ever been given such a sharp profile, I wonder? The grace notes are fractionally elongated, so...

Reviewed by David Fanning in issue: 05/2022

Gramophone Classical Music Awards Winner
Review of ElectroResonance

ElectroResonance

This programme of interactive electronic music by composer-improvisers Jane Rigler, Curtis Bahn and Thomas Ciufo was recorded live on a...

Reviewed by Laurence Vittes in issue: 04/2022

Review of Collected Works of Beth Mehocic

Collected Works of Beth Mehocic

The title of this disc is misleading. Beth Mehocic (1953-2022) composed a good deal more than the six works collated...

Reviewed by Guy Rickards in issue: 04/2022

Review of LYN A Point on a Slow Curve

LYN A Point on a Slow Curve

It took Dana Lyn eight years to create what might be described as a musical diorama accompanying the process by...

Reviewed by Laurence Vittes in issue: 04/2022

Review of ELISHA 'Anthelion'

ELISHA 'Anthelion'

One of the greatest joys of being a reviewer is encountering an unfamiliar compositional voice. Adrienne Elisha (1958-2017) was a...

Reviewed by Guy Rickards in issue: 04/2022

Review of AYLWARD Celestial Forms and Stories

AYLWARD Celestial Forms and Stories

The title of John Aylward’s five-movement suite, performed on a New Focus disc by members of Klangforum Wien, comes from...

Reviewed by Donald Rosenberg in issue: 04/2022

Review of Nadine Sierra: Made for Opera

Nadine Sierra: Made for Opera

In the booklet note for her second solo album, Nadine Sierra waxes lyrical about how she was formed as a...

Reviewed by Tim Ashley in issue: 04/2022

Review of WEBER Der Freischütz (Netopil)

WEBER Der Freischütz (Netopil)

The archetypal German Romantic opera, where folkish charm collides with sinister supernatural forces, has done well on CD. In the...

Reviewed by Richard Wigmore in issue: 04/2022


 

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