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Review of BRAHMS Viola Sonatas 1 & 2 SCHUMANN Adagio and Allegro (Philip Dukes)

BRAHMS Viola Sonatas 1 & 2 SCHUMANN Adagio and Allegro (Philip Dukes)

The other day a friend of mine in her 80s told me that she sees an old lady when she...

Reviewed by Andrew Farach-Colton in issue: 01/2022

Review of BARTÓK String Quartets, Vol 2 (Ragazze Quartet)

BARTÓK String Quartets, Vol 2 (Ragazze Quartet)

In reviewing the first volume of Bartók quartets featuring these Dutch-based players I affirmed that ‘the Ragazze Quartet certainly cut...

Reviewed by Rob Cowan in issue: 01/2022

Review of The Imaginary Music Book of J.S. Bach

The Imaginary Music Book of J.S. Bach

I’ve followed Café Zimmermann with great interest down the years, and this latest addition to their catalogue is no less...

Reviewed by Fabrice Fitch in issue: 01/2022

Review of ARENSKY; SHOSTAKOVICH Piano Trios (Trio Con Brio Copenhagen)

ARENSKY; SHOSTAKOVICH Piano Trios (Trio Con Brio Copenhagen)

The teenage Shostakovich’s single-movement First Trio is obviously not a patch on the mature second – the structural seams show...

Reviewed by David Fanning in issue: 01/2022

Review of 'Scenes from the Kalevala' Klami. Madetoja. Pylkkänen. Sibelius

'Scenes from the Kalevala' Klami. Madetoja. Pylkkänen. Sibelius

A comprehensive compendium of music drawn from Finland’s national epic, the Kalevala, would run to many discs (see 6/13 for...

Reviewed by Andrew Mellor in issue: 01/2022

Review of Pyrotechnia: Fire & Fury from 18th-Century Italy

Pyrotechnia: Fire & Fury from 18th-Century Italy

There’s a slight but clear danger to the part-misquote of Macbeth (intentional or otherwise) in the subtitle of this recording:...

Reviewed by Lindsay Kemp in issue: 01/2022

Review of The Beginnings of the Violin Concerto in France (Johannes Pramsohler)

The Beginnings of the Violin Concerto in France (Johannes Pramsohler)

How do you reconcile the near-chaotic theatrical rhetoric and flashy bravura of the Italian violin concerto with the greater subtlety,...

Reviewed by Charlotte Gardner in issue: 01/2022

Review of TCHAIKOVSKY Symphony No 6, ‘Pathétique’ (Järvi)

TCHAIKOVSKY Symphony No 6, ‘Pathétique’ (Järvi)

Paavo Järvi’s Tchaikovsky is undoubtedly a painstaking labour of love. Every single detail has been thought through and is expressed...

Reviewed by Marina Frolova-Walker in issue: 01/2022

Review of SCHACHT Symphonies, Vol 2 (Schmalfuss)

SCHACHT Symphonies, Vol 2 (Schmalfuss)

Why haven’t I heard of Theodor von Schacht until now? A very skeletal biography for the similarly uninitiated: born in...

Reviewed by Mark Seow in issue: 01/2022

Review of RÓZYCKI Violin Concerto. Works with Violin ( Ewelina Nowicka)

RÓZYCKI Violin Concerto. Works with Violin ( Ewelina Nowicka)

>Ludomir Różycki (1883-1953) is far from a household name even in Poland. Józef Kański, in his useful booklet notes, points...

Reviewed by Ivan Moody in issue: 01/2022


 

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