Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
These performances have been reissued several times since the appearance of the original ten-inch 1950s mono LPs, but it was...
Reviewed in issue 6/1989
This is a ''Merry Widow'' with a difference—a live performance by the Vienna Volksoper company, albeit recorded not in Vienna...
Reviewed by Andrew Lamb in issue: 1/1986
The discography for Alan Hovhaness, who died in June aged 89, now hearteningly takes up an entire page in the...
Reviewed by Guy Rickards in issue: 10/2000
Alamire’s recent survey of Verdelot madrigals already had a Henrician connection. Here the king takes centre stage, at least in...
Reviewed by Fabrice Fitch in issue: 13/2009
Perhaps the 26-year-old Mozart, not long in Vienna and anxious to progress, had his eye on wider coverage when he...
Reviewed by Nalen Anthoni in issue: 8/2007
To quote Harold Wilson, ''a year is a long time in politics''. In music, on the other hand, a decade...
Reviewed by Marc Rochester in issue: 9/1994
The Delme find the shape, structure and even the nobility of Haydn’s Emperor but the detail seems sadly lacking. The...
Reviewed by mquinn in issue: 5/1999
The wonders of modern technology! I don’t know the Beethovensaal of the Stuttgart Liederhalle, but can it really have imparted...
Reviewed by John Steane in issue: 2/1999
Whenever I listen to records of Kullman I always have a guilty feeling, similar to that I have when hearing...
Reviewed by Alan Blyth in issue: 11/1993
A fugue is not a form but rather a texture that encompasses simultaneous musical lines. Ideally the lines ought to...
Reviewed by Jed Distler in issue: 8/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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