Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Chailly restores grace and flow to ''Gretchen'' at a pace almost qualifying as an Andante (Liszt's marking). At a definite...
Reviewed by John Steane in issue: 7/1993
I must say that for me the Second Symphony of 1937 has always been among the most problematic of the...
Reviewed by Robert Layton in issue: 11/1996
In the Well has a libretto by Karel Sabina, author of The bartered bride, and has been popular in its...
Reviewed by John Warrack in issue: 5/1996
Hoffmann famously changed his third name from Wilhelm to Amadeus in homage to Mozart, and there is homage of another...
Reviewed by John Warrack in issue: 13/2003
The Suite, BWV1006a, often regarded by harpists as their 'property' is here transposed from E to E flat major—why? I...
Reviewed by John Duarte in issue: 11/1988
Anyone who has followed the work of the Orlando Consort has been waiting for them to record Notre Dame music...
Reviewed by David Fallows in issue: 2/1998
Among all the treasures rediscovered in the BBC archives, this disc of a Barbirolli Promenade Concert of 1969 is among...
Reviewed by Ivan March in issue: 10/2000
After soaring skywards with his ‘angel’ series it was hardly surprising that the Finnish master Einojuhani Rautavaara should respond to...
Reviewed in issue 1/2002
Reviewing the LP version, RL found Salonen's Inextinguishable atmospheric, but ultimately unconvincing—''willful'' was the word he used—and I'm inclined to...
Reviewed by Stephen Johnson in issue: 2/1987
The light shines here on various facets of Gerhard Husch the opera-singer, some of them probably unknown to many of...
Reviewed in issue 3/1994
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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