Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Franz Danzi was by all accounts a charming man and a scrupulous craftsman, and his music reflects both qualities. He...
Reviewed by John Warrack in issue: 2/1995
Maria Bachmann's second Catalyst recital is even more ambitious than her first (''Fratres'', 12/93) and yet it exhibits the same...
Reviewed in issue 5/1995
In 1763 and again in 1765 the number of horns in Prince Nicolaus Esterhazy’s court orchestra was temporarily increased from...
Reviewed by Richard Wigmore in issue: 5/1998
Isabel Beyer and Harvey Dagul – a husband-and-wife team – have been playing piano duets together for over 40 years....
Reviewed by Tim Parry in issue: 5/1997
This is at least the sixth Tatyana Nikolaieva Goldberg Variations on disc and the third live version known to me....
Reviewed by Jed Distler in issue: 2/2008
The late French baroque composer Boismortier is chiefly known for his attractive and accommodatingly written sonatas and concertos for a...
Reviewed by Nicholas Anderson in issue: 6/1997
The ubiquitous Concierto de Aranjuez was written in 1939, since when Rodrigo has written no other solo-guitar concerto until this—which...
Reviewed by John Duarte in issue: 7/1984
It is records like this that almost lead a reviewer to a dereliction of his critical responsibilities and tempt him...
Reviewed by Lionel Salter in issue: 9/1992
In an important sense, this is a first recording. The Beggar's Opera is of course not new to the catalogues....
Reviewed in issue 1/1992
I have not previously come upon a record entirely devoted to Grieg's orchestral songs, and to that extent the record...
Reviewed in issue 4/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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