Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
A remarkable, but unfortunately a deeply flawed performance of the Schubert. The fly in the ointment is Casals. Quite apart...
Reviewed by Stephen Johnson in issue: 11/1988
Kevin Bowyer has recorded Bach before, for Priory have released his ''Late Twentieth Century Edwardian Bach Recital'' ((CD) PRCD267, 3/90)....
Reviewed by Marc Rochester in issue: 10/1992
This is now the third recording of The Protecting Veil to appear since Steven Isserlis’s Gramophone Award-winning premiere...
Reviewed by Michael Stewart in issue: 9/1998
No one could complain that Yuri Simonov’s Stravinsky lacks character. The Firebird’s Introduction – served here in the context of...
Reviewed in issue 12/1997
In his later years Prokofiev was troubled by the layout of a number of his earlier works, the Fourth Symphony,...
Reviewed by Robert Layton in issue: 5/1987
This issue neatly plugs two gaps in the catalogue. The cello and orchestra version of the Op. 16 Suite (originally...
Reviewed by DuncanDruce in issue: 11/1997
Stanford wrote his First Set of 24 Preludes in 1918, a year of prolific activity for the composer (the Third...
Reviewed by Andrew Achenbach in issue: 4/1996
Bach’s open score notwithstanding, most scholars now believe that The Art of Fugue is keyboard music. Davitt Moroney is quite...
Reviewed by Nalen Anthoni in issue: 11/2000
Are a beautiful sound and a warm, singing tone as important to you as intelligent, stylish interpretation in Bach’s Sonatas...
Reviewed by Jed Distler in issue: 1/2006
Irish song has a world of life in it, is not puffed-up, knows that a good laugh is part of...
Reviewed in issue 3/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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