Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It is good to hear Mozart piano trios on period instruments, but not all is ideal about these performances. I...
Reviewed by Stanley Sadie in issue: 7/1987
Plain and unfussy almost to a fault, this latest Prokofiev Fifth from Theodore Kuchar and the Ukraine National Symphony Orchestra...
Reviewed by Andrew Achenbach in issue: 7/1996
For once eschewing the twoCD ‘complete violin sonatas’ approach‚ this release offers three of the usual sonatas for violin and...
Reviewed in issue 5/2002
It is good to have this cheerful little opera, for many years Lortzing's most popular, back in the British catalogue,...
Reviewed by John Warrack in issue: 12/1995
We're told that the present Danish Quartet (apparently the third generation to appropriate this title) was formed as recently as...
Reviewed by Joan Chissell in issue: 9/1990
Holmboe's Quartets Nos. 13 and 14 were composed back-to-back in 1975, but are as different as chalk and cheese. No....
Reviewed by Guy Rickards in issue: 12/1999
The Grieg song edition continues rather as it began––with many causes for gratitude, a few occasions for quite intense pleasure,...
Reviewed in issue 8/1993
Ivan (not to be confused with Adam) Fischer has a sensitive touch. His Petrushka is deft and charming, full of...
Reviewed by Edward Seckerson in issue: 2/1991
Brahms was knocking the big 4-0 when he wrote his first symphony; American composer Michael Hersch is now 35 and...
Reviewed by Philip_Clark in issue: 2/2007
Every so often a CD appears which, by means of some interpretative insight, changes our view of a piece of...
Reviewed by Robert Layton in issue: 4/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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