Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
From the first bars of the Sonata to the coruscating coda of the First Mephisto Waltz, you know you are...
Reviewed by Jeremy Nicholas in issue: 8/2008
Anner Bylsma and Christophe Coin are two of the most prominent cellists on the early-music scene. Both have had considerable...
Reviewed in issue 9/1991
The Scholars Baroque Ensemble, who have already recorded an atmospheric if not consistently beguiling Fairy Queen (7/94), work all hands...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1997
Though it’s difficult to imagine Spohr’s music ever regaining the popularity and high prestige it enjoyed during his lifetime, recordings...
Reviewed by DuncanDruce in issue: 6/2006
These performances date from 1962 and 1967 and are part of Chesky's ongoing series of Earl Wild's early recordings. Not...
Reviewed by Bryce Morrison in issue: 2/1994
Even at full-price and without coupling this version of the Liszt concertos might well have been a personal first choice....
Reviewed in issue 9/1992
Pablo Casals set great store by his oratorio El pessebre (‘The Crib’). Written in the early years of his exile...
Reviewed by Michael Oliver in issue: 10/2000
This is one of the most fascinating discs I have heard in recent months. It represents a meeting of cultures...
Reviewed by mberry in issue: 13/1998
If you’re interested in the byways of romantic music or in the solo cello repertoire, it is well worth investigating...
Reviewed by DuncanDruce in issue: 4/1997
Araiza's is probably the name that occurs most readily when we speculate at present about the inheritance of tenors in...
Reviewed in issue 6/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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