Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I Musici will doubtless be greatly relieved that, with this new issue of theirs of Vivaldi's splendid first set of...
Reviewed by Lionel Salter in issue: 12/1984
Harrison’s unique melding of ‘pacific’ influences is heard to great effect in the Violin and Percussion Concerto. Canticle No. 3...
Reviewed by kYlzrO1BaC7A in issue: 13/1998
Canadian soprano Adrianne Pieczonka gives an impressive display of her versatility in this formidably wide-ranging collection of Puccini arias. Some...
Reviewed by Edward Greenfield in issue: 12/2009
For her Sony Classical debut release, Simone Dinnerstein returns to Bach, whose Goldberg Variations helped hoist the pianist into the...
Reviewed by Jed Distler in issue: 2/2011
A treat for curiosity-seekers. Dufay’s L’homme arme Mass is sung one-to-a-part, with countertenor Pascal Bertin on top. Despite a promising...
Reviewed by Fabrice Fitch in issue: 8/1998
Here is a record of great and rare beauty: rare, that is, in the nature of the repertoire, in the...
Reviewed in issue 1/1994
Robert Parsons is doubtless best known for his Ave Maria, which has been widely anthologised; it concludes this recital, which...
Reviewed by Fabrice Fitch in issue: 4/2008
The title is perhaps a little misleading, for although all this music was performed at Berlin, much of it during...
Reviewed by Nicholas Anderson in issue: 9/1988
Of all the hundreds of settings of Psalm 23 (“The Lord is my shepherd”) surely none exudes such calm and...
Reviewed by Marc Rochester in issue: 10/1997
There are few recordings where Paul McCreesh fails to make a notable impact, whether in musical conception or contextual presentation....
Reviewed in issue 5/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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