Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Despite Wagner’s approval of ‘the symphony where the trumpet begins the theme’, Bruckner’s Third was something of a problem child,...
Reviewed by Edward Seckerson in issue: 12/2012
Thirty-something British composer Luke Bedford (b1978) has a nice line in surrealistic titles. Of the five works on this disc,...
Reviewed by Arnold Whittall in issue: 12/2012
Patricia Kopatchinskaja performs these three concertos by composers born in Hungary with her trademark panache and the recorded balance gives...
Reviewed by Arnold Whittall in issue: 12/2012
The moment immediately following the arresting horn and trumpet fanfares at the start of the Fourth Symphony reveals a big...
Reviewed by Edward Seckerson in issue: 12/2012
Le boeuf sur le toit is, of course, the name of a ballet by Milhaud, which in turn was adopted...
Reviewed by Harriet Smith in issue: 12/2012
Who remembers Leonard Shure (1910-95)? Certainly his students, who often quaked under his critical savagery. I once attended a masterclass...
Reviewed by Bryce Morrison in issue: 12/2012
Now it has been scientifically proved that chaos keeps the world rational, anybody inhabiting that world, who is sensitive to...
Reviewed by Philip_Clark in issue: 12/2012
Among the numerous composers to have been interred at the Terezín transit camp during the early 1940s, Viktor Ullmann (1898-1944)...
Reviewed by Richard_Whitehouse in issue: 12/2012
The first instalment in Paul Lewis’s Schubert series (2/12) got the year off to a wonderful start and he ends...
Reviewed by Harriet Smith in issue: 12/2012
Once, if briefly, known as the French Mozart, Saint-Saëns possessed a legendary facility, claiming he composed music ‘as an apple...
Reviewed by Bryce Morrison in issue: 12/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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