The Philharmonics: Oblivion
Novelties as jazzers meet Berlin and Vienna Phil players
View record and artist detailsRecord and Artist Details
Composer or Director: Astor Piazzolla, Fritz Kreisler, Leonard Bernstein, George Enescu, Johann Strauss II, Camille Saint-Saëns, Grigoras Dinicu, Johannes Brahms, Frantisek Jánoska, Benjamin (Louis Paul) Godard
Genre:
Chamber
Label: Deutsche Grammophon
Magazine Review Date: AW2013
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: 481 0276
Tracks:
Composition | Artist Credit |
---|---|
Marche miniature viennoise |
Fritz Kreisler, Composer
Fritz Kreisler, Composer The Philharmonics |
(21) Hungarian Dances, Movement: No. 6 in D flat |
Johannes Brahms, Composer
Johannes Brahms, Composer The Philharmonics |
Danse macabre |
Camille Saint-Saëns, Composer
Camille Saint-Saëns, Composer The Philharmonics |
Caprice viennois |
Fritz Kreisler, Composer
Fritz Kreisler, Composer The Philharmonics |
Hora di Mars |
Grigoras Dinicu, Composer
Grigoras Dinicu, Composer The Philharmonics |
Pásmán-Csárdás |
Johann Strauss II, Composer
Johann Strauss II, Composer The Philharmonics |
West Side Story, Movement: Somewhere |
Leonard Bernstein, Composer
Leonard Bernstein, Composer Patricia Petibon, Soprano The Philharmonics |
Presto Fight |
Frantisek Jánoska, Composer
Frantisek Jánoska, Composer The Philharmonics |
Schön Rosmarin |
Fritz Kreisler, Composer
Fritz Kreisler, Composer The Philharmonics |
Musette pour Fritz (Hommage a Fritz Kreisler) |
Frantisek Jánoska, Composer
Frantisek Jánoska, Composer The Philharmonics |
Oblivion |
Astor Piazzolla, Composer
Astor Piazzolla, Composer The Philharmonics |
Berceuse de Jocelyn |
Benjamin (Louis Paul) Godard, Composer
Benjamin (Louis Paul) Godard, Composer Piotr Beczala, Tenor The Philharmonics |
(2) Romanian Rhapsodies, Movement: No. 1 in A |
George Enescu, Composer
George Enescu, Composer The Philharmonics |
Author: Jeremy Nicholas
Then it all goes a bit odd. The delightful French soprano Patricia Petibon sings ‘Somewhere’ from West Side Story (why?) unconvincingly, three further Kreisler numbers are given the jazz treatment unpersuasively and Polish tenor Piotr Beczaπa sings Godard’s gentle Berceuse in an uncomfortably high tessitura. The Philharmonics end entertainingly with Enescu’s Rhapsodie roumaine and a flurry of those violinistic bird effects so beloved of gypsy fiddlers.
The booklet is a disgrace. If the original German ever made much sense, the translation is the verbal equivalent of that Morecambe and Wise gag: all the words but not necessarily in the right order. For example, we read that ‘The Philharmonics – this is lived musicality of the highest niveau…’ No one to correct this tosh who bothers is there?
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