Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I’ve just reviewed Orion Weiss with the Buffalo Philharmonic Orchestra under JoAnn Falletta (Naxos, 5/12), but this new release offers...
Reviewed by Peter Dickinson in issue: 10/2012
Enescu’s career as a symphonist is rather more complicated than his three numbered symphonies might suggest. The official First (1905)...
Reviewed by Guy Rickards in issue: 10/2012
Active as a conductor as well as a composer (he directed a fine account of Malcolm Arnold’s Third Symphony with...
Reviewed by Richard_Whitehouse in issue: 10/2012
Eine Lustspielouvertüre (1897, rev 1901) contains some of the happiest music I know, on a par with Nielsen’s Maskarade and...
Reviewed by Guy Rickards in issue: 10/2012
There’s much worth celebrating on this excellent new (or newish) recording of Bruckner’s Fourth Symphony. The venue is the Royal...
Reviewed by Rob Cowan in issue: 10/2012
Mario Venzago’s Bruckner Second (1877 version, ed William Carragan – the one that Barenboim opted for on his Berlin/Teldec recording)...
Reviewed by Rob Cowan in issue: 10/2012
Leonard Slatkin’s new post as music director of the Orchestre National de Lyon yields up this polished performance of Berlioz’s...
Reviewed by Geoffrey Norris in issue: 10/2012
Take it for granted that the playing of the Simón Bolívar orchestra is very good. But Gustavo Dudamel isn’t pre-eminent...
Reviewed by Nalen Anthoni in issue: 10/2012
Depressing though it is to imagine Bach’s lost instrumental music – probably significant chamber works and concertos from both Weimar...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2012
In the first scenes of Acts 1 and 3, Janowski – like Rattle in 2001 at Covent Garden and Hartmut...
Reviewed by Mike Ashman in issue: 10/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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